16.03.23 –
25.03.23
Nada Bien
Pradiauto is happy to open the first solo show of Nada Bien. Nada bien is the artistic project of Ramón Duero Orlando (Madrid, 1992). Audiovisual Communication graduate, tattoo artist and self-taught painter.
The exhibition presents a selection of paintings and ceramics made in the last few years. Its peculiar fantastic world -inspired in fairytales and everyday stories- and its characteristic broken line in the drawings, are found in his paintings with an invented technical process that goes on in layers, just like the skin. Every painting starts with a drawing in the backside of the canvas. This way, the painting becomes inaccessible in its totality. Memory and oblivion come and go constantly in the process. Every piece comes from a progressive superposition of layers made of different materials and scales, turning into a board game of broken and open tales.
The exhibition presents a selection of paintings and ceramics made in the last few years. Its peculiar fantastic world -inspired in fairytales and everyday stories- and its characteristic broken line in the drawings, are found in his paintings with an invented technical process that goes on in layers, just like the skin. Every painting starts with a drawing in the backside of the canvas. This way, the painting becomes inaccessible in its totality. Memory and oblivion come and go constantly in the process. Every piece comes from a progressive superposition of layers made of different materials and scales, turning into a board game of broken and open tales.
Nada Bien (Ramón Duerto Orlando)
Nada Bien is the artistic project of Ramón Duerto Orlando (Madrid, 1992), a graduate in audiovisual communication and currently a tattooist and artist. Nada Bien gives space to a series of creative concerns - "It's a concept that guides the practice. Something like a polysemic mantra, which helps to focus action and thought. To be able to move forward in experimentation and in the illusion of sharing experiences and ways of seeing".
His technique can be characterised as mixed: hectographic ink, paper on canvas, spray acrylic, graphite. Something very beautiful about his work is that he intervenes on the canvas on both sides; generating an agency on the back. The shapes painted on the back are intuited from the front, emphasising or hiding themselves depending on the light.
His technique can be characterised as mixed: hectographic ink, paper on canvas, spray acrylic, graphite. Something very beautiful about his work is that he intervenes on the canvas on both sides; generating an agency on the back. The shapes painted on the back are intuited from the front, emphasising or hiding themselves depending on the light.